(New York b. Nigeria)
THE TANGIBLE AND INTANGIBLE
I explore the light sheen of graphite, the matte, light absorbing quality of black pastel, the white of paper and canvas, as well as the visually affecting interactions of colors to investigate form and its evocative potential to suggest or hint at something about the shape of the head. I am interested in the dualism of form and void, and the ontological relation between the tangible and intangible, something and nothing, light and dark, body and mind, the dual nature of being - the self in portraits.
The construction of a sense of self is a very complex process, perhaps even more so in our increasingly global age, in which the boundaries between race, nationality, gender and sexuality are getting more and more blurred. I am interested in issues of self identity, and in concepts of the self rooted in my cultural experiences growing up in Nigeria, as well as global metaphysical, scientific, and social concepts of the self. There is a Yoruba thought that consciousness, referred to as the “head”, has both a physical dimension called the “outer head” and a non-physical one: “the inner head”. It is the visual implications of concepts like this that I find intriguing. The title, Self-Portrait, in my work, is more about the portrait of the intangible self, rather than a literal portrait of the artist.- OSI AUDU
(NYC, b. Nigeria)
1994 P.G.C.E. Canterbury, Christ Church College, University of Kent, England.
1984 M.F.A., Painting and Drawing., University of Georgia, Athens, Georgia, USA
1980 B.A. First Class Honours, Fine Art. University of Ife, Ile-Ife, Nigeria.
The British Museum
The Horniman Museum
The National Museum of African Art, Smithsonian Institution, Washington DC, USA
Wellcome Trust London
National Gallery, Lagos
Nigerian High Commission, London
Iwalewa-Haus, Universitat Bayreuth, Germany
Schmidtbank, Bayreuth, Germany
Addax and Oryx Group, Switzerland
Swiss Embassy, Lagos
Mr. AUDU has been represented by Morton Fine Art since 2012.